Place:
MUBAM. Museo de Bellas Artes de Murcia.
"Watch these pictures carefully. They are images that display inmates acting in relative freedom, and relatively free people in internment. Guess who is who? Then watch yourself within an Art Biennial. Think about how free you really are, and how subjected you are. Think about who produces the picture in which you are framed and displayed." (Marcelo Expósito & Verónica Iglesia)
http://countryeuropa.net/

Marcelo Expósito
1966,
Puertollano, Spain. Lives and works in Barcelona and Buenos Aires.
Marcelo Expósito is an artist whose practice often expands into critical theory, editorial work, curatorship, teaching and translation. He teaches at Independent Studies Program (PEI), Museu d'Art Contemporani de Barcelona (MACBA), and forms part of the Universidad Nómada and the Red Conceptualismos del Sur. He has been editor or co-editor of such books as Los nuevos productivismos (2010), Producción cultural y prácticas instituyentes. Líneas de ruptura en la crítica institucional (2009), Modos de hacer. Arte crítico, esfera pública y acción directa (2001), Historias sin argumento. El cine de Pere Portabella (2001), and Chris Marker. Retorno a la inmemoria del cineasta (2000). His video series Between Dreams. Essays on the New Political Imagination explores the contemporary interweaving of art, activism, politics and communication (http://marceloexposito.net/entresuenos). His theoretic and research output can be found at: http://www.marceloexposito.net/materialesteoricos.html.
Verónica Iglesia
1972, Buenos Aires, Argentina. Lives and works in Buenos Aires.
Verónica Iglesia is a freelance photo-reporter working with several print publications, a teacher at the Escuela Argentina de Fotografia (EAF), and an activist in the field of community media. She is part of the collective Abriendo Caminos / La Comunitaria TV, which uses the popular principles of pedagogy to carry out training workshops in media tools with specific groups and communities. The collective also works towards producing documents and records of social struggle, and about political intervention in public space using different types of visual and other media, including independent television, video, photography, graphics, posters and radio. See: http://colectivoabriendocaminos.blogspot.com / http://tallerdeherramientasdecomunicacion.blogspot.com / http://radionautas947.blogspot.com / http://comunitariatv.blogspot.com /